Pump Action

when we learned of his body dashed onto a doorframe,
the yeast of a wound bedazzled by light.
eyelids, caved in between—small as a skylark
knife-peeled & brine soaked in saltwater made sweat.

his impetuous, bloodstream: all that fuels Minnesota’s temper veining through,
as if hoping to catch a glimpse of him.

I opt-out of the binary & the boldness shivers dusk, how cold berates a child.
how a lightning stammers in the hands of a cop,
learning to quench his flame on an effeminate child.

Fifteen saw me chased by a pistol-mouth from a grown-up spot—guessed into green,
to mix with the wet clay & other soluble denominators of my kind.

Archimedes’ Principle states: ‘a body immersed in water,
experiences an upthrust equal to the weight of the fluid displaced.’
& I wade without sink—pummeling my right arm.

say, a violence thrust upward, is the whole loin arriving headfirst.
& with this pump action, an object bullets through the wind:
a boy is firearm or skylark, with less than a way to tell which is what.

the cop don’t tell me apart from the wet clay,
& blunders his way through darkness.
I flatten into a punishment—enough to bear the world’s weight.
a boy is satellite stabbed onto a pie chart.
a planet lived on its own.
a boy is meteor, going extinct with each body that eats fire.

 



Click here to read Nnadi Samuel on the origin of the poem.

Image: photo by ev on Unsplash, licensed under CC 2.0.

Nnadi Samuel:

“Pump Action” was written at the peak of police brutality/violence in the country, & it gets even worse for victims—if they identified in a different way. The title “Pump Action” which was portrayed as a spring-up movement in
water, is originally the name of gun.

Here, we see a quest for survival, where water is used as a metaphor for escape & mud: a camouflage to get past a trigger-happy policeman. In the end, we’re all gradually leaning towards extinction for the bias (sentiment) held by a common man.

Nnadi Samuel
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