that must gnaw off its leg to escape a trap,
the trap being the version of you I carry —
a committed method actor, Mom,
her lines delivered not from woods, but
the doorway of my childhood bedroom
barring escape, sneering straight
into my face, you, incorrigibly reduced
to the one moment you asked
if my love for my brother
(who we once called sister, daughter)
was “some sort of a political statement,”
words I use to cut myself
from you — a red swatch
of instinct limping through trees
on three black feet, so unlike E
when he removed his breasts,
clear which side of the blade he was on.
Click here to read Eben Bein on the origin of the poem.
Image: Running stag by Beatrice Murch, licensed under CC 2.0.
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