I invent new fears
especially when I am alone
in the dark. Last night I woke
and thought the murderer
still uncaught nearby
was hiding in our garage.
I paced the quiet,
shadowed house,
trying to see through
the garage windows
for any flicker of light
from his phone. Or maybe
he was in our truck,
asleep on the back seat.
Then I looked up,
into the sky
above the treetops.
A sparkling there,
the starriest sky
I’d ever seen.
I stared and breathed.
How a swath of stars —
something so far away —
can feel like a rope flung out
to save you.
Click here to read Sarah Dickenson Snyder on the origin of the poem.
Image by Loïse Raoult on unsplash.com, licensed under CC 2.0.
Sarah Dickenson Snyder:
The best poems I read (and wish I wrote) are the ones that feel like a heart has unzipped on the page. I also love the naming of radical honesty as a healthy, pure way of living in this world as a thinking, feeling human. In my own work I chase this kind honesty. If I am not surprised by where I go with my pen, I’m probably not being radically honest. So, “At Night” emerged from this kind of transcribing exactly who I am sometimes in the shadowy night. It’s a way to smile a bit at who I am and accept all of me.
After years in the classroom, Sarah Dickenson Snyder now carves in stone, sculls on the Connecticut River, and rides her bike. Travel opens her eyes. She has five poetry collections: The Human Contract (2017), Notes from a Nomad (nominated for the Massachusetts Book Awards 2018), With a Polaroid Camera (2019), Now These Three Remain (nominated for the Massachusetts Book Awards 2023), and To Eve (Nixes Mate Review 2026). Poems have been nominated for Best of Net and Pushcart Prizes. Work is in Rattle, Verse Daily, and RHINO. sarahdickensonsnyder.com
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