Cicero, IL

It takes years
to fill in the blanks:

a large bird or something worse
than a wolf

pulling at the sheets.
The old man from Vilnius

cooing like a pigeon.
How many pieces of silver?

The arrangement,
the positioning

of hands and feet
like someone sleeping.

Thoughts that die like stars.
Mother! The cost of shoes

and butter. Floating
like a moon looking down

from a space
where no one can touch her.



Click here to read Elisabeth Murawski on the origin of the poem.

Image by engin akyurt on unsplash.com, licensed under CC 2.0.

Elisabeth Murawski:

Here are two of the references included in various drafts of the poem as it developed over a period of years.

1. The daughter of Jairus, presumed dead, then brought back to life. “The child is not dead—she is only sleeping!” (Mark 5:36).

2. The painting of “The Procuress,” by Vermeer. Suggesting a buyer, a seller, and a go-between.

Neither remain in the final version, but influence it, providing insights into the persona who on some level suspects, but cannot understand, something bad must have happened to her. That she was not sleeping.

What will she do with this suspicion, envisioning a mother who not only refuses to protect her but is part of the plan? The child does what she knows best, lifts off from her skin and floats.

Elisabeth Murawski
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