the land ocked sub rban

the land ocked sub rban
poet who sp nt

his l tter years daydream ng
that he was living in exil

on an uninh bited isle
in a rem te archipel go

far fr m kith and kin
nev r composi g

a new l ne
that was not writ en

in sand to be
alwa s wash d away

by each suc eeding hig tide
whil he slow y

beca e the w rld’s
for most exp rt on Ocypodidae*

just from liv ng ever day
s metimes felt

som thing clos
to contentm nt or ma be

lo k at th t br aking wave
jus daydre med it

w ich was stil better
than no e at al

*The f mily of semite restrial crab th t incl des the g ost crabs and fi dler c abs.



Click here to read Nathaniel Lachenmeyer on the origin of the poem.

Image by hyper7pro on commons.wikimedia.org, licensed under CC 2.0.

Nathaniel Lachenmeyer:

Written during a difficult time when each day carried with it, unavoidably, considerable stress and worry, “the land ocked sub rban” is a playful exploration of the daydream as a temporary, recurring reprieve. The idea of becoming an expert on a specific animal species by living alongside them and sharing their environment has always appealed to me — ever since reading Jane Goodall’s In The Shadow of Man as a teenager, I have daydreamed about studying great apes or some other notable species in the wild. Formally, I liked the idea of the daydream intruding on and shaping the act of writing and the written work itself. I enjoy using manipulations of form and structure to call attention to a poem (or any creative writing) as a constructed object built out of component parts, and as a way to change the reading and reading-comprehension experience; I like it best when these formal choices spring from and connect to the internal logic and meaning of the work itself. In the writing of it, the poem’s playfulness and wry humor served as a welcome counterpoint to the challenges I was experiencing; more than daydreaming, humor and writing have always helped me to cope with and move through and past difficult times.

Nathaniel Lachenmeyer
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