Peter Ramos:
This began as an experiment I learned from poet Carmen Giménez Smith in which one takes an existing poem and transcribes it in reverse order. She got this from a letter of Emily Dickinson’s in which she mentions reading a poem in reverse (from the bottom up) to a different but equally enjoyable thrill. I tried several Dream Song poems by Berryman, but none seemed to work as a prompt for my own poem. But somehow, after revising and combing and then switching out all the words and then starting again, I got this very Berryman-esque Berryman tribute (“…Dream Desk,” etc.) poem. In it I tried to invoke or perform the Berryman “self” which, as I take it, works wonderfully for this kind of tongue-in-cheek confessional in which a number of plastic comedic and neurotic selves, slightly cartoonish yet no less “real” than any other self, vie for visibility.
Peter Ramos's poems have appeared in The Cincinnati Review, Colorado Review, Puerto del Sol, Painted Bride Quarterly, Verse, Fugue, Indiana Review, Mississippi Review (online), elimae and other journals. He is the author of one book of poetry, Please Do Not Feed the Ghost (BlazeVox Books, 2008) and three shorter collections: Television Snow (Back Pages Books, 2014); Watching Late-Night Hitchcock & Other Poems (handwritten press, 2004), and Short Waves (White Eagle Coffee Store Press, 2003). His criticism has appeared in MELUS, College Literature, The Faulkner Journal, The CEA Critic, Mandorla, Verse, Pleiades and Poetry Daily. An associate professor of English at Buffalo State College, Peter teaches courses in nineteenth- and twentieth-century American literature.